So what does a music manager do, exactly?
Being a music manager requires drive, determination and a passion for music.
To be a good music manager you need to be organized, excellent with people and have a good understanding of the industry as it stands today.
Your basic role is to bring together the people and projects which meet the goals of the artist and their record company. That goal could be anything from generating a top 10 hit or getting a gig at Glastonbury. Either way, you have to co-ordinate all aspects of the project, work with individuals and organisations such as event promoters, publicity agents and talent-booking agencies – as well as the artists and record labels you represent.
It’s down to you to ensure all projects run smoothly, deadlines are met and campaigns come together. Each party will be obsessing about their individual task, so it’s critical for a manager to remain focused on the bigger picture and end goal.
Your tasks also depend on what point your client is at in their career. If an artist is signed to a record label, you’ll need to keep in mind what they want to achieve for the musician. If you’re managing unsigned artists, your priority will be to generate as much work as possible to get them noticed and paid.
Whether you’re managing unknown musicians or major record labels, it’s important to understand the field of music in which your clients operate. Each different type of music has its own scene, fan base and unique way of working.
It’s important to research the music business you’re in – or want to enter – and identify the key influencers, from the big promoters and broadcasters, to record companies. Get to know the structure of the companies you’re dealing with too – be clear about how business is conducted, who is responsible for what and who the decision-makers are. Then go out and grab their attention and command their respect. Having an influential network helps, so always be professional but friendly and approachable to maintain and create new contacts.
You will also need to be able to cope well under pressure. Dealing with a range of different characters and organizations, all with their own pressures, can be challenging. When someone loses their cool you have to make sure you don’t – it’s your job to keep calm, see the strategic picture and put out the fires that other people start.
If you’re looking for a way into management then having a presence at the right places is a great way to get noticed. Many managers get appointed in all types of situations, such as gigs or clubs as nearly all the key people will be there.
Most managers start as promoters, assistants, engineers or even artists. Putting time in at different levels of the industry will arm you well in the future. The best way to start is to get experience in different departments and work your way up.
Starting you own operation is a great way to break into management and will gain you some real experience. It may feel like you’re at the bottom of a mountain, but it won’t be long until you find yourself half way to the top.
The music business is a great industry to work in, but to be a manager requires drive and determination which is driven by a passion for music. It’s fiercely competitive but, once you’ve made it, it can be one of the most fulfilling and often financially rewarding careers.
Over the next few minutes, I am going to reveal to you some tips and tricks behind how to start and run your own independent record label. Have you always dreamed of finding talent and getting their records released? Do you have your own music you want to get released? Are you sick of the record label you are working for and want to start your own? Well, either way, learning how to start a record label is your first step.
First of all, if you are here trying to get information of how to start your own independent record label then you must be serious. And that is a good thing because starting any business from scratch takes drive, ambition and a tough skin. You have to be ready for anything that is thrown your way.
Besides determination, while figuring out how to start an independent record label, you are going to need a few tangible items. You are going to need some cash (or credit), a business plan, some talented artist/s, a business and retail license and a name. The great news is that all of these things are within your reach!
If you want to know how to start and run your own record label then listen up, you have to network. Networking is the key in any business and especially in the music business. You have to get out there and find the talent, meet people in the industry and acquire as much information as possible. The future of your business lies in your hands.
One route you can take is to jump the gun and go ahead and start recording and releasing. Maybe you already have a band or musician in mind. If this is you then get them in the studio and make some albums. When they are ready, get them sold. This will definitely give you a taste of how to start a record label.
Learning how to start a record label is really not as hard as you think. You definitely have to have the desire. The costs of starting record label will vary depending on which route you take. You can start anywhere from a sole proprietorship, the most simple form all the way up to a corporation. It really depends on where you personally want to start.
It never hurts to have a little legal help when you are dealing with contracts. Lawyers are expensive but you are going to eventually need one if you want to start your own label. This will save your business from any lawsuits and help keep everything legal. It will save you in the long run.
With these tips and some determination you will find that figuring out the process of how to start your own independent record label is easier than you think. Get out there and try it for yourself, you control the success of your soon to be record company. I did these things and made a very successful career for myself, I know you can too. All you have to do is take the information on how to start and run an independent record label and go with it!
Article Published By Mississippi Sipp